Korevaar does an especially fine job of contrasting the slow Sarabande movements of the Partitas with the faster surrounding movements, with the Sarabande from Partita No. The opening movements of the works — such as the short Fantasia in No. Bach brings together musical gestures from these predecessors and from his contemporaries with a compositional virtuosity that makes these works a catalogue of keyboard writing, dance forms, and national styles.
I see these variants as a liberating guideline for what it is possible to do with this music. Respect for the text means understanding the context in which it was set down. In recording the Partitas, I have sought the freedom of live performance.
List of Intermediate Piano Repertoire
The recording sessions were an opportunity to produce multiple versions of the individual movements, experimenting with embellishments, pacing, and the subtleties of rhythmic treatment that bring these dance-inspired pieces to life. I wanted the result to feel spontaneous—a snapshot of the moment of performance, rather than the definitive last word. Delaborde et I. Felice Boghen; revised Philipp. Durand, Editions Musicales, n. Hayet, Paris: Hamelle, n. Bach-Vivaldi]: Concerto pour orgue. Bach, [W.
Toccata, En doubles Notes, Op. Premier Cahier. Philadelphia: T.
Series 4: Editions of Other Composers' Works
Presser, Scarlatti: 1 Scherzo. Paris: Hamelle, U. Scarlatti: 3 Capriccio.
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six dances in the old style no 6 passepied piano Manual
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Six Dances in the Old Style, no. 6: Passepied (piano)
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- Manual Six Dances in the Old Style, no. 6: Passepied (piano).